Console 32-Channel Mixer

Channel Mixer
Pros
40-input channel
25 Fully automated motorized 100 mm faders
32 x 32 channel USB 2.0 audio interface
Cons
3-Year Warranty Program
40-input channel
25 Fully automated motorized 100 mm faders
32 x 32 channel USB 2.0 audio interface
3-Year Warranty Program
A highly effective and compact digital mixing console
The M-300 V-Mixer may be the ultimate answer for any range of venues and applications. It provides a substantial mixing capacity of 32 mixing channels, 8 aux buses, and four matrices. The M-300 V-Mixer seamlessly integrates with other REAC devices. The user can straight operate the Digital Snake preamp, handle an M-48 Individual Mixer, and setup the I/O for the S-4000M REAC Merge Unit. All of these capabilities are contained inside a pretty compact size and at a weight of 9.8kg (21 lbs ten oz). The M-300 is definitely the fantastic choice for any venue with a restricted set-up region, too as for mobile sound reinforcement. Optional rack rails are also offered.
Effective Built-in Channel Effects
Equalization of channels and dynamics would be the foundation of any terrific mix. The enhanced sound shaping skills of your M-300 input channels contain 4-band completely parametric EQ also as gate and compression. A Key-In filter is usually used for the Gate/Compressor to allow much more expressive mixing. The four multi-effects processors is often set to utilize any of 11 various effects types. Furthermore to Reverb and Delay, modulation effects such as Chorus and Phaser are also accessible. The M-300’s busses are also equipped with eight bands of completely Parametric EQ and Signal Delay on every single Aux, Matrix and Major output. The M-300 is completely equipped with all of the sound adjustment tools built-in and prepared to go.
Advanced Handle Surface Design
The M-380 and M-400 V-Mixers are highly regarded for their ease of use plus the M-300 continues this tradition beginning with 17 - 100mm motorized faders. Central to the M-300’s operation is really a high-resolution 800x480 pixel colour display. Channel Parameters like Get, Pan, EQ and Dynamics could be comfortably operated in the Channel Edit section situated on the left side with the display. All parameters might be instantly saved and recalled from Scene Memory. The layers of faders may be very easily switched with the LAYER button. Faders may be accessed and arranged freely, and saved as a User Layer.
USB memory recorder/player
Record the output in the M-300 Major, assigned AUX bus or MATRIX bus directly to a USB memory drive connected for the built-in USB port. A mix created with all the M-300 could be saved as an uncompressed WAV file, with no the need to have for an external recorder. WAV files around the USB memory drive can also be played back around the M-300 and utilised for background music/tracks. User settings and mixer information also can be saved to a USB memory drive.
Manage remotely making use of a wireless LAN
By enabling Remote Desktop Connection on a nearby Pc straight connected for the M-300 through the USB, the M-300 might be controlled remotely from a different Pc employing a wireless LAN. A tablet Pc could be employed to control the M-300 from a remote location. One example is, you may be seated in the audience to adjust the property mix during the rehearsal, or stand onstage to adjust the monitor mix even though consulting the stage performer. The M-300 enables new mixing possibilities that you simply could never ever reach with an analog console.
Specifications
|
|
Mixing channels |
32 Mono + 4 Stereo |
GROUP |
16 MIX (Group/AUX) busses |
AUX |
16 MIX (Group/AUX) busses |
MAIN |
Stereo, Mono |
MATRIX |
8 |
Input channel functions |
HPF, Attenuator, 4-band PEQ, 2x Dynamics, Pan (LR or LCR with CSR) |
Output channel functions |
Attenuator, 4-band PEQ, Dynamics |
On-board processors |
4x GEQ, 4x GEQ/SPX (GEQ: 31-band or 2x Flex15), 50x Output port delay |
Mic inputs |
16 (Recallable) |
Phantom power |
+48V DC; ON/OFF per channel |
AD converter |
24-bit; 128-time over sampling |
Line outputs |
8 Omni output |
DA converter |
24-bit; 128-time over sampling |
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